sirmainlyhopkins thedevilzmindsky!
THE DARK HISTORY OF THEDEVILZMINDSKY!
Wednesday, November 14, 2012
Tuesday, November 13, 2012
anonymous tags.(with special guest...Kool Keith!)
anonymous tags.(with special guest...Kool Keith!)
Keith Thornton, better known by his stage name Kool Keith, is an American rapper from The Bronx, New York. A founding member of Ultramagnetic MCs, Kool Keith has recorded prolifically both as a solo artist and in group collaborations. Kool Keith is the self-proclaimed inventor of horrorcore,and is generally considered to be one of hip-hop's most
eccentric and unusual personalities. History Kool Keith began his rap career with the group Ultramagnetic MCs. After the release of their influential 1988 album Critical Beatdown, Thornton was reportedly institutionalized in Bellevue Hospital Center.However, he later said that the idea that he was institutionalized
came from a flippant remark made during a
stressful interview, and he never expected the story to become so well known.After continuing with Ultramagnetic for two more albums (1992's Funk Your Head Up and 1993's The Four Horsemen), Thornton released his first notable solo single, "Earth People," in 1995, under
the name Dr. Octagon. This was followed by the release of Dr. Octagonecologyst the following year. The album's production by Dan the Automator and Kutmasta Kurt, with scratching by DJ Qbert was acclaimed by critics, and the album was released nationally by DreamWorks Records in 1997, after an initial release on the smaller Bulk Recordings label (as, simply, Dr. Octagon)a year prior. DreamWorks also issued an instrumental version of the album, titled Instrumentalyst (Octagon Beats). Thornton followed the album with Sex Style in 1997, under the name Kool Keith. In 1998, Thornton collaborated with Tim Dog for the single "The Industry is Wack," performing under the name Ultra—the album Big Time soon followed. The following year, he released the album First Come, First Served under the name "Dr. Dooom", in which the album's main character
killed off Dr. Octagon on the album's opening track. On August 10, 1999, Thornton released Black Elvis/Lost in Space. It peaked at #10 on the Billboard Heatseekers chart, #74 on the Top R&B/ Hip-Hop Albums chart, and #180 on the Billboard 200,and stands as Thornton's most commercially-successful project to date. On July 25, 2000, Thornton released the album Matthew. It peaked at #47 on the Billboard Heatseekers chart. The same year, Thornton collaborated with Ice-T, Marc Live, Black Silver and Pimp Rex for the album Pimp to Eat, under the group name Analog Brothers, with Keith performing as Keith Korg and Ice-T as Ice Oscillator.On June 5, 2001, Thornton released the album Spankmaster on Esham's Gothom Records.It peaked at #16 on the Billboard Heatseekers chart, #11 on the Top Independent Albums chart and #48 on the Top R&B/Hip-Hop Albums chart. In 2002, Thornton began recording The Resurrection of Dr. Octagon with producer Fanatik J, signing a contract with CMH Records to release the album, which was eventually completed without much input from Thornton, due to a falling out over contractual terms. Thornton, Marc Live and H-Bomb formed the group KHM, releasing the album Game on November 19, 2002, changing their name to
"The
Clayborne Family" by the release of their second album. On October 12, 2004, Real Talk Entertainment issued the unauthorized release Dr. Octagon Part 2. The album was discontinued by court order. On April 25, 2006, Thornton released the album Nogatco Rd. under the name Mr. Nogatco. On June 27, The Return of Dr. Octagon was released by OCD International, an imprint of CMH, advertised as the official follow-up to Dr. Octagonecologyst.Some critics felt that it was not as good as its predecessor.Thornton stated that he liked the album, but felt that it hurt his reputation as a musician.In August, Thornton performed under the Dr. Octagon billing,
but did not acknowledge the release of the OCD album.In 2007, Ultramagnetic MCs released the reunion album The Best Kept Secret. In 2009, Kool Keith released the concept album Tashan Dorrsett; a follow-up, The Legend of Tashan Dorrsett, followed two years later. In 2012, Kool Keith performed at the Gathering of the Juggalos.He has stated that he is considering retiring from music —this statement appears to be reinforced by the song "Goodbye Rap," found on his 2012 album release Love and Danger. Thornton's fan site refers to his discography of roughly fifty album releases, most of which have
been commercially released. Singles such as
"Spectrum" continue to appear online under the
artist's name, on sites such as SoundCloud and Spotify. Thornton's lyrics are often abstract,surreal,and filled with non-sequiturs and juvenile humor.
Thornton is also known for an explicit style focusing on sexual themes, which Thornton has referred to as "pornocore".
In a 2007 interview, Thornton claims to have "invented horrorcore".
Keith Thornton, better known by his stage name Kool Keith, is an American rapper from The Bronx, New York. A founding member of Ultramagnetic MCs, Kool Keith has recorded prolifically both as a solo artist and in group collaborations. Kool Keith is the self-proclaimed inventor of horrorcore,and is generally considered to be one of hip-hop's most
eccentric and unusual personalities. History Kool Keith began his rap career with the group Ultramagnetic MCs. After the release of their influential 1988 album Critical Beatdown, Thornton was reportedly institutionalized in Bellevue Hospital Center.However, he later said that the idea that he was institutionalized
came from a flippant remark made during a
stressful interview, and he never expected the story to become so well known.After continuing with Ultramagnetic for two more albums (1992's Funk Your Head Up and 1993's The Four Horsemen), Thornton released his first notable solo single, "Earth People," in 1995, under
the name Dr. Octagon. This was followed by the release of Dr. Octagonecologyst the following year. The album's production by Dan the Automator and Kutmasta Kurt, with scratching by DJ Qbert was acclaimed by critics, and the album was released nationally by DreamWorks Records in 1997, after an initial release on the smaller Bulk Recordings label (as, simply, Dr. Octagon)a year prior. DreamWorks also issued an instrumental version of the album, titled Instrumentalyst (Octagon Beats). Thornton followed the album with Sex Style in 1997, under the name Kool Keith. In 1998, Thornton collaborated with Tim Dog for the single "The Industry is Wack," performing under the name Ultra—the album Big Time soon followed. The following year, he released the album First Come, First Served under the name "Dr. Dooom", in which the album's main character
killed off Dr. Octagon on the album's opening track. On August 10, 1999, Thornton released Black Elvis/Lost in Space. It peaked at #10 on the Billboard Heatseekers chart, #74 on the Top R&B/ Hip-Hop Albums chart, and #180 on the Billboard 200,and stands as Thornton's most commercially-successful project to date. On July 25, 2000, Thornton released the album Matthew. It peaked at #47 on the Billboard Heatseekers chart. The same year, Thornton collaborated with Ice-T, Marc Live, Black Silver and Pimp Rex for the album Pimp to Eat, under the group name Analog Brothers, with Keith performing as Keith Korg and Ice-T as Ice Oscillator.On June 5, 2001, Thornton released the album Spankmaster on Esham's Gothom Records.It peaked at #16 on the Billboard Heatseekers chart, #11 on the Top Independent Albums chart and #48 on the Top R&B/Hip-Hop Albums chart. In 2002, Thornton began recording The Resurrection of Dr. Octagon with producer Fanatik J, signing a contract with CMH Records to release the album, which was eventually completed without much input from Thornton, due to a falling out over contractual terms. Thornton, Marc Live and H-Bomb formed the group KHM, releasing the album Game on November 19, 2002, changing their name to
"The
Clayborne Family" by the release of their second album. On October 12, 2004, Real Talk Entertainment issued the unauthorized release Dr. Octagon Part 2. The album was discontinued by court order. On April 25, 2006, Thornton released the album Nogatco Rd. under the name Mr. Nogatco. On June 27, The Return of Dr. Octagon was released by OCD International, an imprint of CMH, advertised as the official follow-up to Dr. Octagonecologyst.Some critics felt that it was not as good as its predecessor.Thornton stated that he liked the album, but felt that it hurt his reputation as a musician.In August, Thornton performed under the Dr. Octagon billing,
but did not acknowledge the release of the OCD album.In 2007, Ultramagnetic MCs released the reunion album The Best Kept Secret. In 2009, Kool Keith released the concept album Tashan Dorrsett; a follow-up, The Legend of Tashan Dorrsett, followed two years later. In 2012, Kool Keith performed at the Gathering of the Juggalos.He has stated that he is considering retiring from music —this statement appears to be reinforced by the song "Goodbye Rap," found on his 2012 album release Love and Danger. Thornton's fan site refers to his discography of roughly fifty album releases, most of which have
been commercially released. Singles such as
"Spectrum" continue to appear online under the
artist's name, on sites such as SoundCloud and Spotify. Thornton's lyrics are often abstract,surreal,and filled with non-sequiturs and juvenile humor.
Thornton is also known for an explicit style focusing on sexual themes, which Thornton has referred to as "pornocore".
In a 2007 interview, Thornton claims to have "invented horrorcore".
Friday, November 9, 2012
Monday, November 5, 2012
rayczar&thedevilzmindsky!
Tuesday, October 16, 2012
#sirmainlyhopkins #thedevilzmindsky on #post_modernism:
The term post-modernism is usually in a confusing variety of ways for some it means
anti-modern;for others it means the revision of modernist premises. It has become apparent to many that the worldview fostered through modernism(and by Western Human tradition)is flawed,corrupt and oppressive. So,if modernism is at its End,we are now facing a New Period... The name given this 'New Age' is
'Post-Modernism'. Now,Constructive Post-Modernism does not reject Modernism,but seeks to Revise its premises and traditional concepts. Like Deconstructive Post Modermism,it attempts to erase all boundaries to undermine ligitimacy and to dislodge the logic of the modernist state. Constructive Post-Modernist claims to offer a new unity of scientific,ethical,aesthetic and religious intuition[s]. Constructive Post-Modernism seeks to recover truths and values from various forms of preModern thought and practice. So,Post-Modernism postulates that many,if NOT ALL,apparent Realities are only social constructs and therefore subject to change. It claims that there is no 'Absolute Truth', emphasising the role of a cohesively
[in]coherent Language,Power Relations and Motivations in the formulation of Ideas. In particular it attacks the use of sharp binary classifications. Conceptual Art is sometimes labeled as
Post-Modern because it is expressly involved in [the] Deconstruction of what makes a work of art 'Art'. Conceptual,because it is often designed to confront;offend;or attack notions held by many who view it...,progressive:
appropriation art debunks modernist notions of artistic genius and originality and is more ambivalent and contradictory than modern art,simultaneously installing and subverting ideologies,''being both critical and complicit''
Post-Modernism is seen perhaps as anti-modern in that it seems to destroy or eliminate the ingredients that are believed necessary for a worldview such as 'god'; 'self'; 'purpose'; 'meaning'; 'a real world';and 'truth'(this point of view,though,that we need a worldview comprised of notions of god/self/teleology etc...,is itself a modernist one,whether 'Absolute' or 'Relative'). Deconstructive Post-Modern thought is seen by some as #Nihilistic:(i.e. the view that all values are baseless,that nothing is totally comprehensible or can be communicated,and that Life itself is meaningless). Post-Modernism is deliberately illusive as a concept,avoiding as much as possible the modernist devise to classify and thereby delimit and confine.
Post-Modernism part takes of uncertainty,insecurity,doubt,and accepts ambiguity. Whereas Modernism seeks closure in form and is concerned with conclusions. Post-Modernism is open,unbounded,and concerned with process&becoming... Post-Modern artists are reflexive in that they are self-aware and consciously involved in a process of thinking about 'self' and 'society' in a Decostructive manner, ''demasking'' pretensions becoming aware of our cultural self in History and accelerating the process of consciousness.
[it should be clear that modernist culture is occidental and totally western in its orientation,capitalist in its determining economic tendecy,bourgeois in its class character,grey(black&white?)in its racial complexion and masculine(...or rather feminine??) in its dominant gender).
WELCOME TO THE AFTERFUTURE['s]:5thDIMENSIONAL POST-MODERNIST THOUGHT FORMS OF AN ILLUSIVE HOLOGRAM REALITY LOST GOD(!).
Editor-in-Chief,Sirmainlyhopkins Thedevilzmindsky!
Tuesday, October 9, 2012
sirmainlyhopkins thedevilzmindsky killin'it at the 2011 freestyle/battles @Q-bar!!
LOL.
WARNING: CONTENT CONTAINS OFFENSIVE MUMBLINGS&OCCULT SEXUAL REFFERENCES THROUGHOUT!! SEX,DRUGS&HIPHOP!! FUCK EVERYTHING... HaHaHa.
CHECKOUT: #MURDERCHANNEL.TV ON
#YOUTUBE.COM/sirmainlyhopkins (!)..for MORE EVIL FREEstyle CLIPS&MURDER VERSES&SICk VIDEOs!
Actually thinking about it.... It was KooL.
Anything for FREE BOOzE&COkE sniffing Broke Bitches!! CATCH WRECk!! Yawn.... Zzzz.
this was a kool wierdly odd event:
encompassing an array of styles and and everything HIPHOP(..mostly Freestyles&Battles!). I hardly do public appearances lately,I easily get BORED at these Events but then whatever,man... YOU GET FREE BOOZE&THEN BUMP INTO PEOPLE YOU HAVEN'T SEEN FOR A MILLION YEARS... TO SMALL TALK&BLUNTED CONVERSATIONS WITH WANNABE CELEBRITY SHITFUCKS!! AND THIS WAS DEFINITELY ONE OF THOSE EVENTS!! WELL,IT WAS OKAY.. GOT MADD DRUNK BEFORE I GOT ON!! THE MUSIK WAS NAUSEATING AND JUST FUCKED!! EVERYTHING FUCKED,YES!! THE MICS..?? FUCKED!! PEOPLE... FUCKED!! I Hate this ShiT!! I Felt Like pullin' a GG Allin on stage and just take a DUMP on the crowd!! WELL,I DID.
I VAGUELY REMEMBER THIS NIGHT... GOT UP ON STAGE DRUNK WITH A BEER IN MY HAND AND SOMEONE SNATCHED IT AND GAVE ME THE MIC....
I STILL WALKED OUTTA HERE WITH SOME SHIT SKANKS AND PEOPLE STILL THOUGHT I WAS KOOL AND BOUGHT ME MORE BOOZE!!! HAHAHA!!
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